originally released on white house records. remastered from digital masters by robert macciochi with full restored cover done by myself. this ep should need no introduction to ravers as often cited as an anthem (whatever that means to you, to me that just means classic and good and still worth hearing any day again and again).

attention: cover is slighlty damaged. cosmonection returns with his 3rd ep 10 feet before the horizon, after the release of his maxis evasion in 2014 and altura in 2015. this new ep explores a more mature musical and sound approach of the parisian producer since his last maxi while remaining in his rhythmic and aerial vein.

black cover edition. recorded and mixed at imw, march 1992. re-issued 2018 by yozmaz. re-mastered and cut by keith at curve pusher, london. many thanks to robin allinson, the music preservation society crew and all the members without whom this wouldnt have been possible.

digging 80s pop obscurities has long been part of emotional rescues mission statement and the unearthing of this cover of the talking heads classic by the little known, italian new wave band politrio for a limited 7inch press is a worthy addition.

prolific uk deep house hero andy compton is back on his fabled peng stable with a new project entitled blue dream, and an album called california dreaming which unsurprisingly deals in gorgeous sun soaked tones aimed squarely at the loungey end of his plush, melodic repertoire. from the slinking funk of -betsy- to the low-slung beats and smooth-as-silk bass of -disco baby,- compton shows himself to be completely at home rolling at this kind of tempo, no doubt projecting himself to the malibu beach idyll you can see on the cover. music so radiant, you d best slap on some sunblock.

hand marked limited edition of 300 copies on multi-colour marbled vinyl. every vinyl comes in its own unique colour, touching on a spectrum of either red, yellow, blue or green. handmade and silk-screened cover.

following three eps and one lp fabrizio rat releases his second solo album on odd/even, german label by andre kronert. the album is conceived entirely for the dancefloor, with no rest and no breathe, no ambient or >quiet< tracks. melodies emerge at times, resulting from original orchestrations of piano and machines. at other times more violent and static textures explore the extreme repetitions of piano harmonics, combined with slowly evolving filter-sweeping hypnosis. outstanding coverprint. shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering. artwork by markus suckut and cover picture by fabrizio rat himself. manufactured by matter of fact.

high quality lp with download code included. 1st of 4 different cover prints.

high quality lp with download code included. 2nd of 4 different cover prints.

high quality lp with download code included. 3rd of 4 different cover prints.

high quality lp with download code included. 4th of 4 different cover prints.

“uhuru” is the debut album by summers sons & c.tappin from london and bristol. the journey of this album started back in 2015 and was inspired by the people and places of tanzania. after three years of channelling the vibe into beats and bars, it is finally here!
summers sons are turt (rap) & slim (beats) who are actually brothers. they are longtime friends with vocalist and pianist c.tappin. their music can be described as rap with a lot of jazz. we like to call it cool bap.
the double vinyl, including instrumental edits of all songs on vinyl 2, comes in a gatefold cover.

ltd white vinyl , handstamped , full white cover

anders trentemollers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix harbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentemoller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentemoller remix) and slowdive to more obscure finds, as well as trentemollers own tracks and remixes, most notably a brand new trentemoller cover of neil youngs classic transformer man.the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together harbour boat trips 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with harbour boat trips - 02 arriving this november.

dj friendly black vinyl edition with a limited black in black print cover 100 copies worldwide, one per customer ... outstandiung sven weisemann interpretationen!

ltd to 200 copies - vinyl only - full cover artwork

(3lp embossed gatefold cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement, a wholly origina future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiralling and raw, howling with life.

green vinyl / standard cover

inspired soulfull tracks and locked grooves by 3 artists from brussels. analog machines talks to each other in these tracks that could be played from another galaxy. liquid feelings and hypnotic beats, bloops and synthetic hallucinations. precious moment of techno-pop ideology !300 copies on vinyl with an original silkscreened cover by e.m.i.

4 great minimal techno tracks on one ltd 12inch vinyl from russia, first pressing comes with a full cover artwork direct from moscow. big tip!

12- with standard cover (without artwork cover) - on this first captivate vinyl release by inertie you’ll cross the way of two different kind of minimal house. the rhythmical one on the a side, with two bomb tracks from anam nesis & max cohle, surfing between the romanian wave and the strong tech from dance floor. on the b side, let yourself go to a nice, celestial trip, with two tracks from dragutesku and sÿn & vlaskiu. those two other tracks will be perfect to suit all kind of good vibes after parties.

the original motion picture soundtrack from gaspar noé’s movie “climax” on limited double vinyl housed in a gatefold sleeve.

the noir music sub-label relaunches itself with a bang – a heavy double a-sider with strong remixes from skudge and andré kronert – finished off with a nice new overall cover artwork.

bangin prime time techno , 12 inch vinyl with full cover print

brill double deep house header, great die cut cover

on board music comes back with an original ep from finnish artist mesak. articulated over ambient sounds, idm ballads, futuristic techno textures and unrefined electro beats this new release unrolls a pure masterclass of electronic music. also known for his 90 s electro classics within duo mr. velcro fastener, the veteran producer teams up here with fellow finnish artists mono junk, claws costeau and horns specialist antti hevosmaa to display his impeccable expertise in crafting rhythm and sound. the release also comes with a splendid full cover artwork from berlin based painter natacha mankowski.

rassvet records is back with a bangin ep made by mirabella karianova aka shadowax who is famous by her outstanding appearance on nina kravizs trip label. here she delivers a brilliant cover version of a song by a russian old school hip-hop band. nasty lyrics about russian 90s reality performed with her subtle voice sounds really obscure and at the same time very fresh. this ep is also featuring a powerful dancefloor remix by rassvet records head buttechno, longer b-side version and acapella.

yotam avni on andre kronerts odd even. there are a lot of great israelian artists people should know. yotam belongs truly to them. straight from the pulsating city of tel aviv, yotam presents his first release on odd even. yotam and andre know each other for a long time so it was only a question of time to release this amazing release on andres label. the ep title is non-political but goa is known to be a place where every israeli travel to after serving the army. markus suckut, a close friend of both created an amazing remix with his fingerprints and striking suckut grooves. mastering and cut by dubplates and mastering. artwork by markus suckut and cover painting by raya avni. manufactured by matter of fact.

one of the top drummers in the israeli scene, tel-aviv based songwriter and producer beãtfóøt launches his solo project with the powerful new ep de vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90s-garage-punk. side a contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer nico. side b be the remixes: the first, a colorful club-driven remix by garzen records head honchos & electronic duo red axes, followed by a groovy down tempo drone version by the mesmerizing smagghe & cross.

welcome to janx records first release. the debut ep features kevin over, sarp yilmaz, frag maddin and boj angler. four friends and four cuts of naughty sample-based house music. all tracks recorded with love in berlin, istanbul, essen and ibiza. available as digital release as well as strictly limited vinyl with silk screen cover art, hand-printed and packaged by the artists themselves. vital sales points: various artists ep featuring sarp yilmaz (istanbul) with former releases on apparel music, swink music kevin over (essen) with former releases on e.g. madhouse records, 4lux, rough recordings frag maddin (berlin) with former releases on e.g. madhouse records, upon.you, kakudo records, etc. boj angler (ibiza) with former releases on esance

following move d’s -kunststoff“ reissue, damiano von erckert s „recklinghausen ep- is the next 2018 release on ava. this record contains nothing more then 4 tracks. handmade vinyl cover as usual!

official remastered, reissue of two of esther phillips’ breathtaking covers from the early ‘70s. firstly, esther’s cover of gil scott-heron’s timeless masterpiece ‘home is where the hatred is’. a haunting tale of addiction filled with the rawest of emotions, that can only truly be covered by someone who has fought that same battle with dependency. the pain in esther’s voice completely conveys this vulnerability and does gill scott heron’s original total justice. heart-wrenching and completely absorbing in its honesty, it’s a sincere portrayal of the demons both artist’s faced in their lives. on the b side, an adaptation of eddie floyd’s ‘i ve never found a girl (to love me like you do)’. phillips’ trademark soulful tones suit this sweet serenade so well, with the passion oozing from every word she sings. sit back, relax and prepare to have your heart melted all over again.

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

det ar grymt i norr is a compilation of exclusive tracks by artists reflecting the contemporary swedish underground electronic music scene: alvar, celldod, dissocio modus trans, hjarnkultur, agent side grinder, kinder aus asbest, aemit and yabibo hazurfa (special scandinavian letters not included). the title of the compilation, swedish for it s grim up north describes the atmosphere perfectly - in swedish, grymt also means cool. the gloomy cover was designed by erik soderberg. subtitled swedish synthetic darkness, the music on the album is intense, hard and cold at first listen but boiling with emotions underneath the surface. expect industrial, ebm, coldwave, acid and everything on the spectrum between electro and ambient. thank you for the music.

german producer and dj boys noize has announced the release of his much-anticipated cover version of adamski and seal’s 1990 rave classic ‘killer’ on 12&#8243, vinyl, via the vinyl factory and boysnoize records. featuring vocalist steven a. clark, the original 12&#8243, version is backed by an instrumental, both of which you can listen to below: as boys noize says: “being a ’90s kid i kind of grew up with this song which later became one of these tunes i’d play out at the end of the night. when i met steven and heard his voice for the first time i immediately thought of that track and the idea of doing a cover version was born. it was initially just for fun but it turned banging and lit the dance floors wherever i’d drop it.” adamski and seal’s original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the uk singles chart in the summer of 1990. speaking to journalist dave simpson in the guardian in 2013 seal explains the impact the song had on his career: “within a week, i went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name.” boys noize’ ‘killer’ is out now on 12&#8243, vinyl, limited to 500 copies.

(12inch embossed cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement a wholly original future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiraling and raw, howling with life.

hailing from the rhythm plate multiverse, pressed for time is one of the many outposts carrying the work of matlock s finest house music protagonists. reaching beyond the regular roster of goshawk, yse and the full-blown plate, this latest transmission calls on deep cover uk house crew brs, also known as british rhythm services, who step up with some crucial workouts for sophisticated dancefloors. the quartet of ben vecara, rob evans, steve wilson & dom thompson have a sizable legacy behind them, not least from the early 00s when they were regularly rolling out releases for the likes of 20:20 vision, cyclo and friends & families. after a quiet patch their return is marked out by a broad spectrum of deep house delights locked onto the kind of shuffled grooves that rhythm plate heads should be more than happy with, and plenty of loose, live-sounding keys to boot.

this is amsterdam based musique exotique’s launch realised in the form of a seducitive solid white, blue & purple 12” record that includes a free digital download (printed on the label) as well as wonderful cover art by the infamous japanese twins, hamadaraka.
dutch artists machinegewehr and ayden vice team up to bring that timeless retro italo vibe with moroder inspired bass arpeggiation, mysterious vocals and epic pads.
on the b side, san francisco based dutch artist, yobkiss, offers up a masterful remix taking the track into darker electro territory. his offering includes beautifully haunting japanese vocals by the producer’s long time collaborator yuko araki for exceptional exotiqueness.

third release of studio mule’s new project with miyako koda aka dip in the pool. following the cover versions of ohnuki taeko’s carnaval & mariah’s shinzo no tobira, we made the new version of japanese pop ambient classic “face to face by yumi murata”. extended edit on a side is full of the respect for the original version and ambient version on b side is simply emotional. the first album of studio mule is coming in the beg of next year. stay tuned.

california flight project is a well known name for many record collectors because of the ppu 7 release of california flight, and the self released cd-r’s from the front man, jerry j. finally preservation records is very proud to present to you the first official release on vinyl of their early tracks 79-81. fantastic modern soul from berkley california. licenced, remastered, with new cover and full credits makes this a collectors item. only 500 pressed.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

one-off limited edition of 300 copies.

italian-producer xxxv gold fingers, a.k.a. marco erroi, landing his release on rakale, the italian label running by dodi palese. owner of the common series project/label, marco has delivered 9 tracks recorded between 2003 and 2007 that we fell in love with at first listen. the fact that they were created more than 10 years ago confirms the futuristic vision of this talented artist that we have been following since his first steps. for this project we have also involved the italian illustrator pierpaolo gaballo who has been entrusted with the cover of this album, just to offer a good product for the ears but also for the eyes. get ready to travel in the marcos world, have a good listen!

full spectrum double 12” from garies - eight tracks running from bittersweet beatdown-ish bits to slow-burn electro to second wave-inspired techno, injected with funk, melody and an mpc-mindset. garies = new jackson (all city, hivern) + lumigraph (mpr, opal tapes). full colour cover. mastered by thomas p heckmann. cut at schnittstelle. pressed at mpo. artwork by mel keane.

the german boogie compilation “boogie on the mainline” presents a selection of 10 rare disco tracks from germany plus one more tune from austria, all of them, originally released between 1980 and 1987. check! . the fully licenced album contains little known tunes by groups like imagination (which you can also see on the cover of the lp), squish, upstairs, the poptown syndicate and more. as the boogie-ish post-disco side of german music history still basically remains undiscovered as of yet, “boogie on the mainline” hopefully will shed some light again on 11 rare gems that were mainly published on small or private labels. the album is released on loudly pressed double vinyl with gatefold jacket on the new artless cuckoo sister label boogie on the mainline records. it includes extensive liner notes by compiler john raincoatman aka dj scientist.

the fantastic new single from okinawa delays feat. the delightful vocals of satoko ishimine is a cover version of the neil young/ nicolette larson classic. limited first edition twelve inch on light blue transparent vinyl & comes with fine selection of remixes from phil mison, psychmagik & willie graf & darren eboli. okinawa delays consists of the talented producer takeo toyama aka dj mizuki and the singer satoko ishimine. takeo met satoko almost five years ago when he hosted a party on irabu island that is a one of the distant islands of okinawa. we basically thought to make something like aor tracks like dusty springfield or fleetwood mac instead of city pop, also satoko likes that song, so we decided to go for it and im very pleased with the result.

attempting to pigeonhole 79.5 into something as narrow as a single genre would be an ill advised, if not impossible task. the new york city band sounds like someone spinning a radio dial with such passionate intensity that all the stations blend together into a single, transcendent, almost spiritual force. its disco to the beat of modern house, its a supremes cover of a cardi b banger, its roland kirk playing jazz through one saxophone, funk through another, and the most earwormy pop tune the 1970s could muster through a third. its an experience one so effecting that with only a self-released 12inch single in circulation, 79.5 had been written up twice in the new yorker on the merit of their live sets alone. their debut album predictions is produced by leon michels and was recorded at the diamond mine in queens the old school way, with the whole band playing the songs in one take and captured to analog tape.

big a1 for the islanders zorum + a tnt remix on a2 by teluric... side b is for the master nu zau remixing the guys from unit.
new concept, artwork cover, 180gr, vinyl only.

pulsating, warm sounding blend of deep & ambient house grooves, ltd cover version - 1 per customer